Nick Crow 8505 Lead. A formidable VST amp for heavy metal fanboys and shred aficionados, Nick. Vintage tube compressor plugin. CineBrass Horns of the Deep. Simple, warm low brass library. Reverb & Delay Super-suite.
In the world of digital music production, there’ a whole universe of VST plugins to choose from.
Most VSTs are really good at one thing, or suited for a specific genre. But there’s a select few out there that are total workhorses.
They do a lot of things really well no matter what your project sounds like.
The VSTs on this list offer heaps of possibilities in a single plugin.
Whether you’re making sweeping ambient drones, experimental prog rock or wall-shaking techno, you’ll find yourself coming back to these plugins track after track—no matter what genre you’re working in.
Here’s our 7 favourite versatile VST plugins that belong in every production toolbox.
Massive by Native Instruments
Massive is (rightfully) described as a ‘sonic monster’.
It’s an unbeatable synthesizer for basslines and leads. There’s over 1300 presets to choose from and an easy-to-use browser that sorts presets by type and characteristics.
Even though Massive has become known as a popular VST for dubstep and EDM producers, one look through the enormous and diverse library of presets shows that this plugin can do a lot more than create wobble bass effects.
One look through the enormous and diverse library of presets shows that this plugin can do a lot.
Each preset has 8 customizable macro controls to allow you to dramatically change the sound of each preset, and if that wasn’t enough, you can also go in and alter any of the 3 oscillators or their filters and envelopes to further shape your sound. With so much room for customization, you can tweak almost any sound in the plugin to suit your personal preference and work across a variety of genres.
Even though Massive shines for window-shattering basslines, it also has a huge selection of beautiful soundscapes and pads for those softer passages, making it one of the most versatile and widely used VSTs on the market.
NI Massive: $149 USD
Serum by Xfer Records
What makes this synth really special is the ability to import your own recorded audio or outside samples—making the possibilities truly endless and versatile for any project.
Serum is a 2 oscillator wavetable synthesizer with fully user-editable wavetables. What makes this synth really special is the ability to import your own recorded audio or outside samples—making the possibilities truly endless and versatile for any project.
Serum also features a Remap Mode, which allows for you to draw your own wavetables and customize the presets or your own imported audio.
The effect rack also includes 10 different modules making this synth even more useful than most synth VSTs.
Xfer Records Serum: $189 USD
Decapitator by Soundtoys
When it comes to saturation effect plugins, Decapitator shows up in a ton of top lists—And for good reason…
With 5 different analogue saturation models, Decapitator lets you create subtle, extreme, or anywhere-in-between hardware-modelled saturation.
With 5 different analogue saturation models, Decapitator lets you create subtle, extreme, or anywhere-in-between hardware-modelled saturation.
Decapitator’s tone control allows you to shape your sound how you want it, and it’s mix control allows you to blend in dry signal without the need to use routing and sub-mixes.
The flexibility of this VST makes it the perfect choice for adding character to every instrument in your mix, no matter what those instruments might be.
Soundtoys Decapitator: $199 USD
Toraverb by D16 Group
When the engineers at D16 Group set out to create Toraverb, they wanted to make a reverb VST that was unlike any other. Marketed as a ‘concept algorithm reverb’, Toraverb has easily accessible parameters for creating your own type of reverb—forget your classic room, hall, etc.
Toraverb has two independent, single band parametric equalizers, one for early and one for late EQ reflections—a feature that allows for full user control.
Toraverb sounds lovely when used on pads, synths, and guitars, but also adds depth to rhythmic patterns.
Because the sound shaping in Toraverb is so flexible and high-quality, it’s useful on any component in your track — it sounds lovely when used on pads, synths, and guitars, but also adds depth to rhythmic patterns.
D16 Group Toraverb: $39 USD
CamelCrusher by Camel Audio
CamelCrusher is a free VST (!) featuring two different distortion tones (which can be used separately or blended together), a silky smooth low-pass filter and user-friendly compressor. All of these options combine to make CamelCrusher a go-to VST for all situations and a great place to get started with distortion on any project.
CamelCrusher will beef up any component of your track—but where it really shines is on drums of all types. The infamous ‘Phat Mode’ ensures your kick will cut through even the most heavily-distorted basslines.
CamelCrusher will beef up any component of your track—but where it really shines is on drums of all types.
Unfortunately the company that created CamelCrusher, Camel Audio, does not exist anymore, but CamelCrusher is still available for free here.
Camel Audio’s Camel Crusher: Free!
Movement by Output
Movement features over 300 presets and allows you input any sound, instrument, or track—making it the swiss-army knife for effects.
Other highlights of the plugin include analogue modelled effects, 76 modulation knobs, and state-of-the-art sidechain modulation which allows you to modulate up to 38 parameters using a single input source.
Movement features over 300 presets and allows you input any sound, instrument, or track—making it the swiss-army knife for effects.
Movement also allows you to adjust your sound in realtime using Movement’s XY macro pad, which lets you to control up to 152 parameters at the same time.
These features and more let you completely transform any instrument or track, making it an invaluable tool for any producer.
Output Movement: $149 USD
MXXX by Melda Productions
MXXX is pricey but worth it…
It gives you every Melda Productions effect (all 94!) in a simple, user-friendly interface. Echo, reverb, delay, distortion, compression, saturation, flanger—I mean everything.
This VST has more than 70 processors and over 500 active presets, each with their own set of processors and controls allowing you to completely customize and create new sounds.
This VST has more than 70 processors and over 500 active presets, each with their own set of processors and controls.
An especially impressive feature of this VST is the automatic routing matrix: Insert any of the FX processors and the VST will do the routing for you by putting inputs and outputs in the most probable locations. This of course is fully editable, but is definitely a nice feature.
The folks over at Melda Productions really put together the complete package with MXXX that is sure to please everyone.
Melda Productions MXXX: $1218 USD
Ready for Anything
With an overwhelming selection of VSTs available on the market, it can be hard to know where to even start.
Worst Vst Plugins
By choosing VSTs that can do a lot for you you’ll get the most bang for your buck.
Having a small but solid collection of plugins that can adapt to different tracks, instruments and genres will help you have an effective workflow as a producer, and your RAM will probably thank you too.
Let’s get your vocals under control with the best vocal compressor plugin software.
As each compressor plugin software is different, and there are myriads out there to choose from, we’ll keep it simple, and take a look at 5 of best best choices out there…
All of which were researched and recommended by the best.
Quick answer: Softube Tube-Tech CL 1B is the favorite, but if you’re looking for something less costly, take a look at the FabFilter Pro-C2 as perhaps the most popular option out there.
However, picking off a couple isn’t good enough, compressors differ based on character and style.
So let’s take a closer look 🙂
Find more great gear here:
EQ Plugins for Vocals, Top Waves Audio Plugins, Tape Emulation Plugins,Vocal Microphones
Vocal Compression Guide
What is a Compressor?
Worst Vst Plug-ins
Compressors are a bit of a controversial plugin in some ways, as to many it is mystery how it works… and even more of a mystery as to what it can do for them.
This is especially true when it comes to vocal compression.
But as simply put as possible, a compressor compresses dynamic range. So that means that above a set volume (threshold), the compressor will limit the amount of volume increase going out the back end (output) compared to what is coming in the front end (Input).
Given that basic function (compressing and audio signal’s dynamic range), you can imagine the vistas of creative potential open to producers. Imaginative engineers realized you could use them creatively to re-shape the transient shape of sounds. Presto! Compression algorithms became secret sauce.
Hence many fancy named compression techniques, such as of side-chaining, parallel compression, etc., are now used. But not just in a technical way, but as if the compressor was itself a musical instrument.
However, we are on the topic of vocal compressor plugins. So, keeping that in mind, there are a few features that every good compressor should have. Let’s find out.
Features to look for & How to choose
If you follow forum discussions, you will find a lot of opinions about the various types of processors out there. Each producer has their favorite because, given time and experience, one compressor can be somewhat like another.
All compressors will should have these:
- Threshold – which determines the level your audio signal must be before the compressor can reduce its volume.
- Ratio – determines the level of compression that will be applied to the audio signal once the loudness threshold is reached.
- Attack – how fast or slow the compressor will be activated to reduce loudness.
- Release – how fast or slow the compressor will be deactivated to return the audio signal to is original level.
- Knee – smooths out the ratio so that there isn’t a sudden change in dynamics.
- Make-Up Gain – used to “make-up” the amount of gain that has been lost from all that amplitude attenuation.
- Output – allows you to increase or decrease the sound coming out of the compressor to a desired level.
For a more detailed explanation of each, read thisreal funny exposition of audio compression in music production.
Beside these featured listed, a compressor may function slightly differently, or offer some additional features that make them useful for whatever purpose you want to use it for… in this case, mixing and recording vocals.
Character and Vanilla
There are “Character” units, and “Vanilla” units. Like the name suggests, a good character compressor will add some depth and personality to your vocals. A vanilla compressor will get the job done without you know it was even in the room, like a good butler.
Other than that, another thing to look for in a compressor is versatility. That and the ability to get the results you want reasonably quickly.
Sometimes those things will conflict a bit. That is why we choose a plugin which fits our needs the best.
Best Compressor VST Plugins for Vocals
Softube Tube-Tech CL-1B
Price & Demos @ Plugin Boutique
Softube is a great name in overdrive DSP and this FET emulation has many, many fans. This one is of an optical unit. A high-ticket opto unit that many love for its “musicality,” but may be out of some user’s budget.
Feature wise it’s a lot like the popular CLA-76 from Waves that we mention below, but the source unit has a unique behavior that made them a top choice. The optical method is prone to being softer and gentler to vocals, while still being able to lay down the law when necessary.
It is all about the secret DSP sauce of how nothing is really linear. Add 2db of Gain and suddenly your sound is different. Changing one knob is like changing five knobs on a “clean” compressor. Over time you can get a sense of what is going on. Until then…
You tend to start out wiggling the vaguely labelled knobs and suddenly something great appears in the murk. This is character processing at its best, and if the unit sounds good then you can’t beat it.
The only downside to nitpick at is that if you’re a control freak you can also find it frustrating, since you can’t so much “control” this unit but rather “guide” it like an air traffic controller guiding a Boeing 747 onto land.
That said, it’s good to give up some control, especially if you know there were some experts at the wheel behind this thing, and the results are often solid.
If this is the path for you then close your doors to the world and make this the only device you use for everything. Just like they did back in 1965. It is part of your “sound.”
Demonstration
Waves CLA-76
Price & Demos @ Waves Audio
Waves have been around for a very long time and for much of it as the top name in the game. Their plugins used to be really expensive. Nowadays if you catch them on sale they are cheap as chips. And general pretty good value for that.
The CLA-76 comes in two guises (blue & black) and both are emulations of versions of a classic 60’s Compressor/Limiter. People still pay big coin for hardware versions of these things for “modern” recordings.
Feature wise, these units don’t have a lot on offer. Input, Output, speed the Ratio Curve operates, and then a section of Ratio pre-sets. Sounds dull, I know, but in-practice they can be great.
CLA-76 has a pretty fast Attack, meaning there isn’t too much time between a loud transient arriving and the compression goblins leaping into action. Great for drums as you can really flatten them to add thickness, edge and size.
And for vocals? Depends on who you are. Some like the CLA-76 for vocals for that very same reason. Merciless attack times, the ability to really crunch those pop vocals. Others don’t. But some producers, like Chris Lord-Alge, swear by them for the “the sound.”
Another thing to watch out for is that these units add saturation which changes the “weight” of the sound with wee bits of distortion overtones (and some undertones too). This means the units respond very nicely to being hit hard.
Demonstration
Softube FET Compressor
Price & Demos @ Plugin Boutique
More Softube, more emulation. Everyone loves a bit of bounty hunter scum. Or so it would seem with another 1176 emulation. This one looks more like a 70’s Hi Fi than the original though.
Price-wise, when it’s not on sale, it costs more than the Waves unit mentioned. So it’s a good idea to take a look to see if you’re lucky.
However, FET has more features. Softube added some more modern features (along with improving the flow of the knobs) so you can parallel process and alter what parts of the signal trigger the processing goblins. This is doable with some effort in your DAW with the CLA-76, but far easier in the FET.
Again, some people love it on vocals, as it can really rough them up add some punch where needed. Many think the parameter additions make this a better bet there. Just keep in mind that some have noticed that the FET can slide into distortion if you aren’t paying attention.
This is a character effect (processor to be accurate). So be aware that, while you can use it on everything, including vocals, you may find that you’d want to slap this bad boy onto different things in different places.
Demonstration
Softube Summit Audio TLA-100 Compressor
Price & Demos @ Plugin Boutique
Another minimalistic blast from the past. The Summit Audio units got popular in the 80’s, particularly for vocals.
The reason this style of unit works so well for vocals is that it tends to be kind. Besides the Tube-Tech, the other compressors so far have tended to be rough and rowdy (which has its charm) but the TLA-100 is smoother and less noticeable as it goes about its work.
“Smooth”, “controlled”, and “softening” are common adjectives applied to the TLA-100. Softube added a few extra features including a separate saturation section so you can control how tubular it all gets.
The Parallel options seems slightly unusual as that effect is normally used with more brutal compressors but we won’t complain that it is there.
This compressor isn’t a jack of all trades. But if you want a character unit to supplement your core compression, or you want to choose one unit to live with then this could be it. I may just suggest that it could see you struggle with less controlled singers like Rappers.
If you ever feel the need to lay down the law in your vocal mix, refer to the other units mentioned. But for singer-songwriter tracks, this is great.
Demonstration
FabFilter Pro-C2 Compressor
Price & Demos @ Plugin Boutique
This fellow is the real odd one out here. Not because it’s the best or the worst, but because it’s not a character unit. Pro-C2 is all about modern, practical, versatility, and clean.
This is the modern jack of all trades, cover every piece of ground, device that many of us bedroom boys love. Why buy and learn 78 devices when you can get one?
It is also simply the go-to plugin for all your compressing duties on every track, not just vocals. So it is well worth it.
You get a lot of modes targeted at most of the common things you will want to do with a compressor. For instance, its vocal mode helps you to bring vocals to the front of the mix. A nice little addition to a plugin.
Analog, Classic & Optical style modes are also on the list. But honestly, it is doubted that they can really compete with the dedicated units mentioned above. Think of it as leaning a bit that way.
Upside? This is the only unit here to offer control over the Knee of the compression critters. Boggling if you don’t get it but super useful if you do. Especially when it comes to vocal mixing.
Also, if you ever needed to learn how to use a compressor for mixing vocals, you’ll probably find about as many engineers on Youtube showing you how to mix vocals via the FabFilter Pro-C2 than any other one mentioned. You probably think of it as the ‘Fruity Loops’ of compressors.
Also, rather than being stuck in an old-hardware frame of mind the interface is visually informative and very adjustable to suit your task or preferences. You can even pop it full screen on an unreasonable large Retina display!
Demonstration
Waves Audio V-Comp
Price & Demos @ Waves Audio
Waves V-Comp rides on the vintage Neve’2254’s classic sound with its super-responsive dynamics processor.
It has all the typical compressor controls and its interface is intuitive and easy to use. The V-Comp also features a De-Esser switch which functions like a high-frequency side-chain to smoothen harsh high frequencies in the mix. This is a nifty feature that can be turned on and off with a single switch. Also included is a limiter that can be used independently.
While some user reviews do not seem convinced of the V-Comp’s emulation of the actual 2254 machine, many are satisfied with its silky smooth compression. V-Comp lends a unique ‘analog-ish’ color to the entire mix, which we believe to be a commendable feat in itself.
Its vintage-style squashing of the transients is also convincing. There is a bit of warmth in the processed signal which can be further shaped by the De-Esser and the limiter functions.
Needless to say, the V-Comp is a good option for those who want the most out of their buck, especially if you’re going for an easy-to-use plugin that fits most styles of sound.
Waves CLA-2A
Price & Demos @ Waves Audio
The CLA-2A is modeled after the legendary Teletronix LA-2A, a tube-based compressor from the 1960s. The Teletronix LA-2A is prized for its electro-luminescent optical attenuator. The Waves CLA-2A emulates this frequency-dependent action for smooth gain reduction.
Producers love the multi-stage release and the CLA-2A’s quick response, both of which add character to the mix. It seems that most producers use the CLA-2A for leveling purposes, particularly for bass sounds. But it has also proven itself as a competent vocal compressor as well.
Included when buying the CLA-2A are presets made by Grammy-winning mix engineer Chris-Lord-Alge, a side-chain frequency filter, and a limiter mode.
The CLA-2A does not have a lot of tricks, but its historic sound and simplicity makes up most of its charm. It has more than you would ever expect from a product of its price point.
Waves CLA-3A
Price & Demos @ Waves Audio
Based on the original 1969 solid-state compressor, the Waves CLA-3A boasts a transparent compression curve. This ensures a fast response from attack to release, a perfect tool for high-tempo music.
Moreover, it packs a subtle harmonic distortion for some added spice. This works best for bass, as it brings out a unique kink from the sound. Nonetheless, the CLA-3A infuses this edge to your vocals without ruining the signal.
Like the CLA-2A, it uses an optical attenuator for gain reduction. The algorithms behind the compression are program dependent. This means that it is hard to say how a particular setting would change the quality of the sound. This unwieldiness is expected out of any ‘vintage-style’ compressor and is what makes it fun to use.
The CLA-3A’s interface is fairly simple. It has a Peak Reduction knob for controlling the desired compression, and a Gain knob for adjusting the levels after compression.
Overall, the CLA-3A can be used for a wide variety of applications. But its magic is most potent on bass, vocals, and guitars.
Waves Renaissance Vox
Price & Demos @ Waves Audio
None other than Drake’s producer Noah “40” Shebib has praised this plugin as “one of the most important plugins ever made.” These high words of praise are only equaled by the Waves Renaissance Vox’s packed features.
What the R-Vox lacks in visual appeal, it makes up for in its ‘under the hood’ bag of tricks. It deploys an entire array of expansion, compression, and limiting gadgetry, most of which happens by way automation.
But despite the complex tech behind R-Vox’s processing chain, users are only given three controllable parameters, which are expander and compressor thresholds and output attenuation. Needless to say, producers who want more control over the attack and release times may find the Renaissance Vox too wild of a beast to tame.
Nevertheless, this plugin’s ‘plug-and-play’ philosophy helps producers focus on other mixing aspects by automating the gritty details. And it does this to excellent effect. An instance of R-Vox instantly puts your signal into the front and center of the mix. It adds weight to any signal, which can help for weak-sounding vocals to stand out.
Another added bonus is its relatively small CPU footprint. You can chuck in multiple instances of the plugin without putting a strain on your machine.
Final Thoughts
What to do?
The Tube-Tech CL 1B unit is the favorite by far. But being a high-ticket item, you may want to consider the other four units mentioned if you’re on a tighter budget.
Then, you can decide if you want to commit to a path, like owning one unit that you use for everything, or having a couple that fits diverging tastes. In the latter case you won’t have one unit that you have to “fight with” to submit to every path that comes across your DAW.
If you’re thinking a character unit, then it really comes down to what appeals to you mostly. Namely:
Waves CLA-76, Softube FET and Summit Audio TLA-100.
Waves CLA-76 and Softube FET may suit people who mix harder and louder (as most of us have to these days), and whose vocalists need more discipline. Submitting to the Summit Audio TLA-100 could be perfect for the folksier amongst us.
But if dollars are the deciding factor, then check if Waves is having one of their many sales right now go grab it!
But for the vanilla producer/engineer, the FabFilter Pro-C2 has so many possibilities. Not only in the “I can’t believe it’s not butter” processing, but in dramatic or effect processing that makes it hard to pass by.
If you want just one compressor and don’t mind the vanilla, FabFilter Pro-C2 is the one ring to rule them all.
The Tube-Tech CL1B, when powered up with the Collection Upgrade, proves itself to be a very competent product. While definitely among the most expensive in the list, its versatility and its added features make it worth every buck.
But one cannot also ignore the CLA-2A and CLA-3A, as these are also very powerful compressors. What makes them interesting are their unique vintage features. If you’re looking for something that would help you develop your personal sound, these two products might suit you the best.
Of course, one could never go wrong with the Renaissance Vox. While also learning more towards the pricier side, the simplicity and the sheer power of this plugin makes it an awesome choice for newbies and vets alike.
On the other end of the spectrum is the FabFilter Pro-C2 which is as simple and vanilla as you can get. If you’re looking for a no-nonsense compressor that does its job, the FabFilter is an ax that will never fail you when you need it the most.